Archive for the ‘Plein Air Paintings’ Category

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Summer 2019 Workshops

March 2, 2019

My Rock Valley students have inquired about painting workshops for this summer. Unfortunately, the classroom and facility we would prefer to utilize is not available until August. So, we are looking to provide the following;

Basket of Blossoms 2 – Watercolor on Arches 140# CP Paper – 12″ x 9″

August 5, 6 and 7

Dynamics of Shadows and Light: A Bolder Approach to Watercolor

Gain insight to energize your watercolors by creative, strategic and decisive utilization of exaggerated light and shadows. Demonstrations and discussions will focus on planning your design and composition as well as sparking your imagination. Discover methods for pushing negative space to yield positive results in your artwork. Exercises will concentrate on developing your creativity and daring to create more dynamic paintings.  Students should already be familiar with basic watercolor techniques. In addition to your supplies, please bring a couple sheets of Arches 140# CP paper and a few reference photos with subjects of interest to the student. Students will have the opportunity to work independently on their own paintings.

Patti’s Hen House – Plein Air – Oil on Linen Panel – 12″ x 16″

August 12, 13 and 14

Ideas for Creative Studio Painting in Oil and Acrylic Painting

Expand your ability to translate and capture imagery on canvas as you strengthen your observational skills, build a reliable process for planning and develop your unique voice. This workshop will help you to identify a focus for creating your art and developing a pattern for success. Demonstrations and discussions will focus on planning your design and composition as well as sparking your imagination. This workshop requires basic experience and training in oil or acrylic. Students should be competent with the techniques and tools of the medium, developed drawing and design skills and the ability to work independently.

Assuming that the weather cooperates, I plan to do a couple outdoor demonstrations at the facility.

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Clouds Over Limestone Road

March 1, 2019

Clouds Over Limestone Road – Oil on Canvas – 12″ x 12″

Fall of 2017, I did a small plein air painting of this scene. The roll of the road along this farm is what caught my attention. The original painting stopped just above the trees. Soon after I completed the plein air work, one of the galleries requested this work for display. Unfortunately, the work sat at the gallery never to find an owner.

Rise on Limestone Road – Plein Air – Oil on Linen Panel – 8″ x 10″

I retrieved the original work late summer. I left the work on display in my studio where I could see it. I thought that the design might be interesting if I played with a more dramatic sky. I am currently working on a larger version of this for the galleries and have already thought up another idea for this design. More to come.

 

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East Field at Beaver Creek

February 27, 2019

East Field at Beaver Creek – Plein Air finished in Studio Oil on Canvas – 16″ x 20″

Entering the property at Beaver Creek, you drive about 100 yards through thick woods. As you clear the woods, the barn comes into view. This morning, as I cleared the woods, I pulled onto the tall thick grasses at the edge of the bean field. I trudged through the grasses, raising a few mosquitoes, and found this view. I set up my equipment and painted.

What I have identified as a red barn has actually been converted to a home and workshop for a ceramicist. The current structure has dark brown siding and numerous windows. You can still see indications of the original structure. I felt that this design would read better as a red barn. A bit traditional, but helps avoid viewer confusion.

 

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Grange Hall Fence Line

February 25, 2019

Grange Hall Fence Line – Oil on Canvas – 12″ x 36″

I started this work on site in the summer of 2017. The wide layout captures the feeling of the landscape in northern Illinois. I liked the start, but felt that something was amiss. It did not feel right. It sat in my studio until this past autumn.

One afternoon, while working on another painting, an idea came to mind. I had followed the actual landscape closely. The proportions of the farm elements and the road were correct. To aid the design, I moved the road closer to the farmhouse. Moving it to the one third margin made the design work for me. Although the rework lost some of the freshness of the plein air work, I believe that this was the move to make. I doubt that the property owners will make issue of losing some of their property in my painting.

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Mill at Midway

February 19, 2019

Mill at Midway – Plein Air finished in Studio – Oil on Canvas – 16″ x 20″

Late August I ventured over to Midway Village. Between the entrance to the museum and a neighboring recreational path, is the pond and mill. Although this location has its share of passers-by, I managed to find a spot which gave me a nice vantage point for the mill and kept me somewhat secluded from viewers.

The mill and foreground were my start. The trough on the right and trees to the left were dependent on artistic license. I ripped through this and within two hours had everything well established. I did some touch ups in the studio.

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Shed at Beaver Creek

February 15, 2019

Shed at Beaver Creek – Plein Air finished in Studio – Oil on Canvas – 16″ x 20″

A few miles to the east is the work space of an artisan. They make a wide range of ceramic items including water-wigglers. The converted barn is surrounded by fields about a half mile off of the main road. A thick stand of trees keep the farm hidden from the main road. The folks have allowed me to come by and paint the scenery. Except for the attacks by mosquitoes this past summer, the farm is a fairly safe location for painting.

I had set a strategy of working larger plein paintings last summer and fall with the idea that any unfinished works could be completed during the cold mid-western winter. This is one of the first pieces completed. I worked for two hours on location. This painting was well underway and should not have needed a lot of work to finish it. The most stressful aspect was to complete this work in the studio while maintaining the freshness of the plain air work.

Side note: the owners wife informed me that the small sunflowers in the pot were planted by one of the pesky squirrels on the property. Nice touch. I like it.

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Field Marker

February 13, 2019

Field Marker – Oil on Canvas – 18″ x 24″

Fall of 2017, I found this spot along Grange Hall Road. Harvested field to my left and grazing cows to my right. From time to time, while I painted, the cows would wander over to see what I was up to. I am sure that they thought I had food or treats for them.

The plein air work was a small 9″ x 12″ work. The plein air piece had issues. The sun was somewhat to my back. Being an early October morn, the sun was a bit lower in the sky. These conditions caused me to see the colors and values as less intense than I would like. Upon completing the plein air work, I contemplated wiping off the days mess. But there was “something” about the work that made me wait.

Over the winter, I looked at that painting numerous times. Then it started to come together for me. In real life, the sun was to my left, what if I altered the design and had the sun coming from the right? That would enable more drama with shadows from the trees and fence-line. The distant tree line was just a flat, stagnant line. What if I “invented” a distant hill side to help give motion to the distance? What if I intensified the colors? What if I simplified the tree-line to my right? A few thumbnail sketches and a small value study gave me the confidence to go for it.