Archive for the ‘Studio Works’ Category

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Cherry Valley Barn

February 3, 2019

Cherry Valley Barn – Plein Air – Oil on Linen Panel – 16″ x 20″

From the parking lot of a school, I was able to capture this scene. Moved fast to get a lot of this design blocked in. Was moving at a good pace and stopped after two hours. Back at the studio, made a few adjustments and finished this work. Toughest part of the studio portion was not messing up too much of the plein air effort.

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Awaiting

January 28, 2019

Awaiting – Oil on Canvas – 24″ x 18″

On a bright summers morn, I went for a quick walk along the nearby bay. Fortunately, I brought my small camera. Snapped a quick photo of these boats. Reviewing the mornings photos while eating breakfast, I liked the basic design which I had captured.

I seldom work from photos, but in this case, the design was there. I had to bring the distant shore down into the frame. I opted to eliminate the small outboard motors on a couple of the boats and altered a few of the boats colors. But this design is basically as I found it; or perhaps, it found me.

 

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Christmas 2018

January 19, 2019

Christmas 2018 – Oil on Canvas – 8″ x 10″

Sorry to have been away so long. Hope that your new year is off to a good start.

This is an interpretation of the entrance to Beaver Creek pottery.

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Cobalt Barn

October 30, 2018

Cobalt Barn – Oil on Canvas – 11″ x 14″

This was started as a demonstration for a workshop I hosted.

The first part of the lesson involved editing the scene. The photo of the scene was cluttered. I made six thumbnail drawings to enlighten the students about the possibilities of this opportunity. The grayish blue structure was my inspiration, my subject. I edited the chain link fence, an arbor, the massive tree behind the barn, an old horse, the fence in the foreground, brush growing to the right and in front of the barn. I amended / modified the building to the left, added the shadows (the reference photo was taken on an overcast day). Simplified the design.

The second part of the lesson was to illustrate to the students that they did not have spend hours doing a detailed drawing on their canvas. Also, to get the students thinking about moving fast to quickly capture the entire scene. Working all parts of their canvas to establish the design.

After quickly applying strokes to get the basic drawing (barn was fairly drawn, but most of the subordinate characters were faint indications and obscure lines. Once this was in place, I moved fast and deferred questions for a few minutes. Just shy of twenty minutes into this work, the students saw that my painting was established. I could walk away from that painting and everything read clearly enough. My point is to keep the students from lingering in isolated sections of their painting. They also witnessed how minor imperfections and mistakes were not fatal. I pointed out areas of the start which would need to be addressed and corrected.

I allowed the students to start their paintings and after I had them painting, I returned to this work. I would paint for a few minutes, then wander around to lend assistance as needed. By the end of the day, this work was basically complete.

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Standing Along Grange Hall

October 16, 2018

Standing Along Grange Hall – Oil on Canvas – 11″ x 14″

Using sketches and plein air studies from last summer, I worked this painting as a demonstration for my workshop students. Although, to begin, I had a loose pastel sketch on the canvas, I applied my oil paint swiftly. I worked to place general colors throughout the entire canvas. Within twenty minutes, I had enough paint in place that the students could see where I was going with this painting.

I allowed the students to start their works. While the students were painting, I moved around the classroom to guide their progress and took occasional breaks to add more strokes of paint to my work. By the end of the afternoon, my painting was basically finished, save for a few tweaks completed at my studio.

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Workshop Demonstrations

September 11, 2018

Demo #1 – Watercolor on Arches 140# CP – 8″ x 12″

Demo #2 – Watercolor on Arches 140# CP – 8″ x 12″

Demonstration paintings from a recent watercolor workshop at the Peninsula School of Art. The strategy is to connect areas of the painting to help create unity especially in and with the subordinate shapes.

#1 – started with the sky and moved directly into the background trees – starting at the left and increasing the intensity and vibrancy of the trees as I moved to the right. Then moved to allow these colors to strategically flow into the foreground. After allowing the initial wash to dry thoroughly, I utilized negative painting techniques to separate and emphasize subjects.

#2 – I began with the background trees, moving from the left. As I worked the trees, I utilized this same wash to indicate the shadows of the shed and its shadow.

Often, the initial wash is sufficient to define the important elements and lessen the need for a lot of cluttering details.

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Flower Baskets

September 9, 2018

Flower Baskets – Watercolor on Arches 140# CP – 11″ x 7″

After placing a quick drawing to set the major elements, the painting was started by flooding the cool, background in one, single wash. I altered the intensity of the colors to help separate components. I allowed this wash to ease into the shadowed areas of the flowers.

After this initial wash was thoroughly dried, I used a damp brush to clean up the components allowing hard and soft lines to work together. Then I focused on the flowers starting with the lightest portions and transitioning into the shadows.