Posts Tagged ‘Barn’

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Field View

April 4, 2019

Field View – Oil on Oil Primed Canvas Panel – 8″ x 16″

Still on “doggie hospice” as our dog, Clawed Monet recovers from illness, I am relegated to painting carefully (so as not to stain or damage the flooring) in our house (that is, not in the studio). Trying to paint faster and looser, I came up with this design. I used the barn design as a lesson in our Advanced Watercolor class and played with a wider horizontal format. Put myself in a good mindset and painted this as if I was working en plein air.

When I started the painting, I had decent light from outside. Unfortunately,  it got overcast as I was painting. Forged ahead and had this work thoroughly blocked in within about twenty minutes. I was working adjustments as my light source changed. Stopped at a good time. Came back the next day, under more favorable lighting conditions, and made a few minor adjustments. I worked to keep from overworking this aiming to maintain the fresh feeling of the brushstrokes.

Shortly after completing this work, one of the galleries contacted me. They wanted this work for their gallery display. The work has just been delivered to them. Hopefully, the work does not return to (i.e. I hope that the gallery finds a new owner for this work).

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East Field at Beaver Creek

February 27, 2019

East Field at Beaver Creek – Plein Air finished in Studio Oil on Canvas – 16″ x 20″

Entering the property at Beaver Creek, you drive about 100 yards through thick woods. As you clear the woods, the barn comes into view. This morning, as I cleared the woods, I pulled onto the tall thick grasses at the edge of the bean field. I trudged through the grasses, raising a few mosquitoes, and found this view. I set up my equipment and painted.

What I have identified as a red barn has actually been converted to a home and workshop for a ceramicist. The current structure has dark brown siding and numerous windows. You can still see indications of the original structure. I felt that this design would read better as a red barn. A bit traditional, but helps avoid viewer confusion.

 

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Grange Hall Fence Line

February 25, 2019

Grange Hall Fence Line – Oil on Canvas – 12″ x 36″

I started this work on site in the summer of 2017. The wide layout captures the feeling of the landscape in northern Illinois. I liked the start, but felt that something was amiss. It did not feel right. It sat in my studio until this past autumn.

One afternoon, while working on another painting, an idea came to mind. I had followed the actual landscape closely. The proportions of the farm elements and the road were correct. To aid the design, I moved the road closer to the farmhouse. Moving it to the one third margin made the design work for me. Although the rework lost some of the freshness of the plein air work, I believe that this was the move to make. I doubt that the property owners will make issue of losing some of their property in my painting.

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Cherry Valley Barn

February 3, 2019

Cherry Valley Barn – Plein Air – Oil on Linen Panel – 16″ x 20″

From the parking lot of a school, I was able to capture this scene. Moved fast to get a lot of this design blocked in. Was moving at a good pace and stopped after two hours. Back at the studio, made a few adjustments and finished this work. Toughest part of the studio portion was not messing up too much of the plein air effort.

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Cobalt Barn

October 30, 2018

Cobalt Barn – Oil on Canvas – 11″ x 14″

This was started as a demonstration for a workshop I hosted.

The first part of the lesson involved editing the scene. The photo of the scene was cluttered. I made six thumbnail drawings to enlighten the students about the possibilities of this opportunity. The grayish blue structure was my inspiration, my subject. I edited the chain link fence, an arbor, the massive tree behind the barn, an old horse, the fence in the foreground, brush growing to the right and in front of the barn. I amended / modified the building to the left, added the shadows (the reference photo was taken on an overcast day). Simplified the design.

The second part of the lesson was to illustrate to the students that they did not have spend hours doing a detailed drawing on their canvas. Also, to get the students thinking about moving fast to quickly capture the entire scene. Working all parts of their canvas to establish the design.

After quickly applying strokes to get the basic drawing (barn was fairly drawn, but most of the subordinate characters were faint indications and obscure lines. Once this was in place, I moved fast and deferred questions for a few minutes. Just shy of twenty minutes into this work, the students saw that my painting was established. I could walk away from that painting and everything read clearly enough. My point is to keep the students from lingering in isolated sections of their painting. They also witnessed how minor imperfections and mistakes were not fatal. I pointed out areas of the start which would need to be addressed and corrected.

I allowed the students to start their paintings and after I had them painting, I returned to this work. I would paint for a few minutes, then wander around to lend assistance as needed. By the end of the day, this work was basically complete.

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Standing Along Grange Hall

October 16, 2018

Standing Along Grange Hall – Oil on Canvas – 11″ x 14″

Using sketches and plein air studies from last summer, I worked this painting as a demonstration for my workshop students. Although, to begin, I had a loose pastel sketch on the canvas, I applied my oil paint swiftly. I worked to place general colors throughout the entire canvas. Within twenty minutes, I had enough paint in place that the students could see where I was going with this painting.

I allowed the students to start their works. While the students were painting, I moved around the classroom to guide their progress and took occasional breaks to add more strokes of paint to my work. By the end of the afternoon, my painting was basically finished, save for a few tweaks completed at my studio.

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Barn at Beaver Creek

October 9, 2018

Barn at Beaver Creek – Watercolor on Arches 140# CP – 9″ x 12″

Another play with watercolors. Used artist prerogative on this. This structure used to be a barn. Several years ago it was converted to a ceramics workshop and display room on the ground level and a home on the upper level. The front has a lot of windows. The barn has been allowed to age to dark brownish gray patina. Rather than paint this painting in its current state, I wanted this structure to look barn-ish.

I could see the indications of the former sliding door entrance to the barn and the opening for the hay loft. I also felt that changing the color to something more indicative of a barn would help.

Not sure that the owner was very excited with my choices, but I am.

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Guirl’s Outbuilding

September 25, 2018

Guirl’s Outbuilding – Watercolor on Arches 140# CP – 9″ x 12″

Made a visit to a ceramics workshop a few miles east of Rockford. The workshop and shop are in a renovated barn. The owner gave permission to paint on their property. Many, many possibilities. Spent about a half hour walking the main part of the compound making quick pen sketches and taking some reference photos. Decided to do a quick watercolor painting to make the trip worthy and then back to my studio to ponder future designs at this site.

This is the old chicken coop. No chickens around anymore. The background was done wet on dry. That is, I started on dry paper by painting left to right the tree, then some sky, gently touching the tree. Continued across the paper. This process allowed me to somewhat control the flow of the green into the blue and create a soft transition between the trees and sky. This gives an effect of atmospheric perspective.

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Barn Behind Mulford

August 21, 2018

Barn Behind Mulford – Oil on Canvas Panel – 8″ x 10″

Found this barn late last summer. I knew it was there, but this view had been hidden by dense foliage and underbrush. The park cleared away a lot of the growth and left this opportunity. I did a small, 8″ x 16″, plein air study of this farm, but decided to do this painting as a demonstration for my Oil / Acrylic students. Many of the class demos get wiped away (destroyed) once I get back to the studio, This one was worth keeping.

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Berm Along Farmington

July 18, 2018

Berm Along Farmington – Oil on Canvas – 18″ x 24″

Last summer, I created a plein air work of an abandoned farm house. The road afforded me an opportunity of capturing the back of the farmstead. I liked the finished product but felt that something was missing. It needed something more.

During the autumn and winter, I often looked at the plein air work and mulled ideas of how to improve the work. Early this spring, it occurred to me that the work could be improved by improvising. I altered the format from a 12″ x 24″ and went with this 18″ x 24″ format. I pushed the farmstead further in the background. This helped add linear and atmospheric perspective to the work. Much happier with this effort.