Posts Tagged ‘red’

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Field View

April 4, 2019

Field View – Oil on Oil Primed Canvas Panel – 8″ x 16″

Still on “doggie hospice” as our dog, Clawed Monet recovers from illness, I am relegated to painting carefully (so as not to stain or damage the flooring) in our house (that is, not in the studio). Trying to paint faster and looser, I came up with this design. I used the barn design as a lesson in our Advanced Watercolor class and played with a wider horizontal format. Put myself in a good mindset and painted this as if I was working en plein air.

When I started the painting, I had decent light from outside. Unfortunately,  it got overcast as I was painting. Forged ahead and had this work thoroughly blocked in within about twenty minutes. I was working adjustments as my light source changed. Stopped at a good time. Came back the next day, under more favorable lighting conditions, and made a few minor adjustments. I worked to keep from overworking this aiming to maintain the fresh feeling of the brushstrokes.

Shortly after completing this work, one of the galleries contacted me. They wanted this work for their gallery display. The work has just been delivered to them. Hopefully, the work does not return to (i.e. I hope that the gallery finds a new owner for this work).

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From the Classroom – Boone Farm

March 27, 2019

Often, students mindlessly copy photographs. Too often they end up with drab, busy, boring paintings of uninspired photos. I work with the advanced students to find more opportunities within a reference photo. I implore the students not to just copy the photo. One exercise we do is to take a photo and find at least six good design options within the reference photo. Extra credit given to the student that creates the most good thumbnail sketches of good design options. (I will cover this exercise in another post).

This week, I utilized a photo reference of a local farm. The prior week, one student needed help understanding how to paint the shape of a cylinder. Another had a question concerning shadows and one other student required help understanding metal and rust.

Boone County Farm

I utilized the sketch and value study of a grain bin to demonstrate cylinder, shadow and rust. I opted to set this as a winter scene to stay truer to the reference photo. Side note, they also got interested in the atmospheric perspective I implemented.

Boone Farm Grain Bin Sketch and Value Study

This design highlighting the barn allowed me to demonstrate cylinder (the silo), shadows, and distant trees. Placed this design in a summer setting to help them imagine another option to a reference photo (that is, why does it have to be winter?).

Boone Barn Sketch and Value Study

Discussion then led to these two studies. Each one was created in less than five minutes. They are small but quickly illustrated the points and allowed the students to quickly get to work on their own designs.

Corn Crib Demo – on Canson 140# CP

Boone Barn Demo – Watercolor on Canson 140# CP.

 

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Along Limestone Road

March 25, 2019

Along Limestone Road – Oil on Canvas – 36″ x 36″

I used a plein air sketch and the small painting titled, Clouds Over Limestone, to create this work. The sky proved to be more tricky than I had anticipated. The task of constantly stepping away from the painting to examine the progress and judiciously adjust as necessary, is especially important when working the larger canvases. This work is on its way to a gallery. Wish us luck.

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East Field at Beaver Creek

February 27, 2019

East Field at Beaver Creek – Plein Air finished in Studio Oil on Canvas – 16″ x 20″

Entering the property at Beaver Creek, you drive about 100 yards through thick woods. As you clear the woods, the barn comes into view. This morning, as I cleared the woods, I pulled onto the tall thick grasses at the edge of the bean field. I trudged through the grasses, raising a few mosquitoes, and found this view. I set up my equipment and painted.

What I have identified as a red barn has actually been converted to a home and workshop for a ceramicist. The current structure has dark brown siding and numerous windows. You can still see indications of the original structure. I felt that this design would read better as a red barn. A bit traditional, but helps avoid viewer confusion.

 

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Cherry Valley Barn

February 3, 2019

Cherry Valley Barn – Plein Air – Oil on Linen Panel – 16″ x 20″

From the parking lot of a school, I was able to capture this scene. Moved fast to get a lot of this design blocked in. Was moving at a good pace and stopped after two hours. Back at the studio, made a few adjustments and finished this work. Toughest part of the studio portion was not messing up too much of the plein air effort.

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Barn at Beaver Creek

October 9, 2018

Barn at Beaver Creek – Watercolor on Arches 140# CP – 9″ x 12″

Another play with watercolors. Used artist prerogative on this. This structure used to be a barn. Several years ago it was converted to a ceramics workshop and display room on the ground level and a home on the upper level. The front has a lot of windows. The barn has been allowed to age to dark brownish gray patina. Rather than paint this painting in its current state, I wanted this structure to look barn-ish.

I could see the indications of the former sliding door entrance to the barn and the opening for the hay loft. I also felt that changing the color to something more indicative of a barn would help.

Not sure that the owner was very excited with my choices, but I am.

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Flower Baskets

September 9, 2018

Flower Baskets – Watercolor on Arches 140# CP – 11″ x 7″

After placing a quick drawing to set the major elements, the painting was started by flooding the cool, background in one, single wash. I altered the intensity of the colors to help separate components. I allowed this wash to ease into the shadowed areas of the flowers.

After this initial wash was thoroughly dried, I used a damp brush to clean up the components allowing hard and soft lines to work together. Then I focused on the flowers starting with the lightest portions and transitioning into the shadows.

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Ephraim Cottages

September 4, 2018

Ephraim Cottages – Watercolor on Arches 140# CP – 9″ x 12″

Another watercolor created for my workshop students. I started the painting with the shadows under the eaves of the cottage on the left. I continued through the middle buildings while working the trees in the background allowing the areas to bleed into each other. The juggling act continued through the cottage on the right and into the foreground. I allowed the initial wash to dry thoroughly  before I returned to add a few bolder passages.

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Barn Behind Mulford

August 21, 2018

Barn Behind Mulford – Oil on Canvas Panel – 8″ x 10″

Found this barn late last summer. I knew it was there, but this view had been hidden by dense foliage and underbrush. The park cleared away a lot of the growth and left this opportunity. I did a small, 8″ x 16″, plein air study of this farm, but decided to do this painting as a demonstration for my Oil / Acrylic students. Many of the class demos get wiped away (destroyed) once I get back to the studio, This one was worth keeping.

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Steps of Scents

August 4, 2018

Steps of Scents – Plein Air – Oil on Canvas Panel – 12″ x 9″

The Cedarburg Plein Air Festival began with a unique opportunity. The first day of the event, we had the chance to paint in the historic district and then exhibit (and possibly sell) our works that same day.

I completed a painting in the morning, had lunch and still had some time to burn before our efforts were to be submitted for the exhibition / sale. In walking around the main street, a colorful flower basket caught my eye. The homeowner had a lively flower basket hanging from their porch. I thought I might be able to capture a quick painting. As I stood in front of the home, trying to decide on a composition, it occurred to me that the display of potted flowers on the front steps offered a more appealing opportunity.

When the homeowner witnessed me drawing in my sketchbook, curious, she inquired to make sure that I was not with the tax assessors office. When she realized that I was just an artist, I was given permission to continue.

Not able to complete the painting that afternoon, I returned a few days later. While completing the work, I was a approached by the homeowners friend. Short discussion with the friend resulted in a sale off-the-easel. The friend planned to give the painting as a surprise gift. I trust that the painting has been presented by now.

Would like to have a better photo of the completed painting, but I am very grateful for the sale.