Posts Tagged ‘trees’

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From the Classroom – Trees and Field

April 10, 2019

I have a student who likes to utilize pen & ink with watercolor. This student does all of his pen & ink work first and then carefully applies his controlled washes of watercolor so as not to disturb or bleed the ink.

Trees and Field in Two Steps – Holbein Watercolor on Canson 140# – 3″ x 5″

I prepared two sketches for this weeks demonstration. On the first, I did the scene using watercolor in two steps. First applying a general wash, then adding a few brief notes of shadows. On the second sketch, I applied a very loose, wild application of watercolor. I allowed and even encouraged the washes to flow into each other. The foreground and background trees bleed into the sky. The background trees to the right side are a mess. But that’s okay. After this wash was dried, thanks to the aid of a student with a hair dryer, I applied a few broken lines in pen & ink to define the objects in the scene. This process keeps the design looking like a watercolor and relieves some of the stress (you can go outside the lines).

Field and Trees Pen and Ink Overlay – Holbein Watercolor with Sakura Micron Pen on Canson 140# – 3″ x 5″

Unfortunately, Murphy’s Law occurred.The student for whom this demonstration applied was ill and not in class. I shall have to do this exercise again.

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Clouds Over Limestone Road

March 1, 2019

Clouds Over Limestone Road – Oil on Canvas – 12″ x 12″

Fall of 2017, I did a small plein air painting of this scene. The roll of the road along this farm is what caught my attention. The original painting stopped just above the trees. Soon after I completed the plein air work, one of the galleries requested this work for display. Unfortunately, the work sat at the gallery never to find an owner.

Rise on Limestone Road – Plein Air – Oil on Linen Panel – 8″ x 10″

I retrieved the original work late summer. I left the work on display in my studio where I could see it. I thought that the design might be interesting if I played with a more dramatic sky. I am currently working on a larger version of this for the galleries and have already thought up another idea for this design. More to come.

 

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East Field at Beaver Creek

February 27, 2019

East Field at Beaver Creek – Plein Air finished in Studio Oil on Canvas – 16″ x 20″

Entering the property at Beaver Creek, you drive about 100 yards through thick woods. As you clear the woods, the barn comes into view. This morning, as I cleared the woods, I pulled onto the tall thick grasses at the edge of the bean field. I trudged through the grasses, raising a few mosquitoes, and found this view. I set up my equipment and painted.

What I have identified as a red barn has actually been converted to a home and workshop for a ceramicist. The current structure has dark brown siding and numerous windows. You can still see indications of the original structure. I felt that this design would read better as a red barn. A bit traditional, but helps avoid viewer confusion.

 

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McNally’s

February 21, 2019

McNally’s – Oil on Canvas – 11″ x 14″

I received a call a couple weeks before Christmas. The children of a former student asked that I create a house portrait of their parents home. They inquired about a watercolor but agreed to have it created in oil. They forwarded about two dozen photos taken of the home. Photos from about every possible angle, which was great. I suggested, and they agreed to let me design from the side of the home as a way to place emphasis at the front door as well as add depth to the composition.

The painting moved smoothly and I was finished several days before needed.

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Mill at Midway

February 19, 2019

Mill at Midway – Plein Air finished in Studio – Oil on Canvas – 16″ x 20″

Late August I ventured over to Midway Village. Between the entrance to the museum and a neighboring recreational path, is the pond and mill. Although this location has its share of passers-by, I managed to find a spot which gave me a nice vantage point for the mill and kept me somewhat secluded from viewers.

The mill and foreground were my start. The trough on the right and trees to the left were dependent on artistic license. I ripped through this and within two hours had everything well established. I did some touch ups in the studio.

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Field Marker

February 13, 2019

Field Marker – Oil on Canvas – 18″ x 24″

Fall of 2017, I found this spot along Grange Hall Road. Harvested field to my left and grazing cows to my right. From time to time, while I painted, the cows would wander over to see what I was up to. I am sure that they thought I had food or treats for them.

The plein air work was a small 9″ x 12″ work. The plein air piece had issues. The sun was somewhat to my back. Being an early October morn, the sun was a bit lower in the sky. These conditions caused me to see the colors and values as less intense than I would like. Upon completing the plein air work, I contemplated wiping off the days mess. But there was “something” about the work that made me wait.

Over the winter, I looked at that painting numerous times. Then it started to come together for me. In real life, the sun was to my left, what if I altered the design and had the sun coming from the right? That would enable more drama with shadows from the trees and fence-line. The distant tree line was just a flat, stagnant line. What if I “invented” a distant hill side to help give motion to the distance? What if I intensified the colors? What if I simplified the tree-line to my right? A few thumbnail sketches and a small value study gave me the confidence to go for it.

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Cherry Valley Barn

February 3, 2019

Cherry Valley Barn – Plein Air – Oil on Linen Panel – 16″ x 20″

From the parking lot of a school, I was able to capture this scene. Moved fast to get a lot of this design blocked in. Was moving at a good pace and stopped after two hours. Back at the studio, made a few adjustments and finished this work. Toughest part of the studio portion was not messing up too much of the plein air effort.