Posts Tagged ‘shadows’

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Blooms at Breckenridge House

October 4, 2018

Blooms at Breckenridge House – Watercolor on Arches 140# CP – 9″ x 12″

In search of a building to interpret in watercolor, I ventured over to Midway Village.  I walked the grounds and decided to take on the Breckenridge House. I embraced the challenge of the flowers. To interpret each planting. To instill unity and yet successfully elude to and instill depth to the scene.

While I painted, a few of the volunteers worked tending to the flower beds. I opted not to include the workers in the scene. I was in a hurry and the many options for placement of the workers required more than I wanted to invest. Before I finished the painting, a couple of the gardeners came over to check out my work. One was put out that I did not include the whole house. Funny look on her face when I responded that I found the product of their efforts to be of more interest.

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Workshop Demonstrations

September 11, 2018

Demo #1 – Watercolor on Arches 140# CP – 8″ x 12″

Demo #2 – Watercolor on Arches 140# CP – 8″ x 12″

Demonstration paintings from a recent watercolor workshop at the Peninsula School of Art. The strategy is to connect areas of the painting to help create unity especially in and with the subordinate shapes.

#1 – started with the sky and moved directly into the background trees – starting at the left and increasing the intensity and vibrancy of the trees as I moved to the right. Then moved to allow these colors to strategically flow into the foreground. After allowing the initial wash to dry thoroughly, I utilized negative painting techniques to separate and emphasize subjects.

#2 – I began with the background trees, moving from the left. As I worked the trees, I utilized this same wash to indicate the shadows of the shed and its shadow.

Often, the initial wash is sufficient to define the important elements and lessen the need for a lot of cluttering details.

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Flower Baskets

September 9, 2018

Flower Baskets – Watercolor on Arches 140# CP – 11″ x 7″

After placing a quick drawing to set the major elements, the painting was started by flooding the cool, background in one, single wash. I altered the intensity of the colors to help separate components. I allowed this wash to ease into the shadowed areas of the flowers.

After this initial wash was thoroughly dried, I used a damp brush to clean up the components allowing hard and soft lines to work together. Then I focused on the flowers starting with the lightest portions and transitioning into the shadows.

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Flower Box

September 5, 2018

Flower Box – Watercolor on Arches 140# CP – 11″ x 7″

This design has been used successfully in several oil paintings. I opted to utilize this as another demonstration for my workshop. After doing my pencil sketch, I did all the shadows as a single, connected wash. The shadows alone make for an interesting abstract.

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Ephraim Cottages

September 4, 2018

Ephraim Cottages – Watercolor on Arches 140# CP – 9″ x 12″

Another watercolor created for my workshop students. I started the painting with the shadows under the eaves of the cottage on the left. I continued through the middle buildings while working the trees in the background allowing the areas to bleed into each other. The juggling act continued through the cottage on the right and into the foreground. I allowed the initial wash to dry thoroughly  before I returned to add a few bolder passages.

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Hoisington’s Shed

September 3, 2018

Hoisington’s Shed – Watercolor on Arches 140# CP – 9″ x 12″

Preparing to conduct a workshop on Watercolor painting, I searched for a photograph to be used as a reference. I came across a photograph taken several years ago. It was a farm owned by the family of one of my students. Although had tried to work with the photo before, I failed in getting a good, workable design. This time, as I examined and played with the possibilities, it occurred to me to remove the big, red barn which is attached to this shed. I also opted to impose the idea of background woods to add atmospheric perspective to this design.

After establishing a quick, loose drawing, my initial wash started in the tree to the left, flowed into the background woods and into the shadows on the front and side of the shed, and the trees on the right. I allowed some of the initial strokes to flow into the foreground grass. When I did this initial wash for my students, a remark was offered that the initial wash could almost have stood on its own. The painting read well. I continued anyway and ended up with this.

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Blue Shed

August 20, 2018

Blue Shed – Oil on Canvas – 11″ x 14″

The spot I planned to paint at was not going to work. What I expected to find wasn’t available. Alternate site obscured by hay bales covered in plastic sheeting.

Ventured the back roads a bit. Made my way into a small town. Nothing grabbed my interest. Started to head back home and opted for a minor detour through a small town. Spied this shed and decided to take a shot. Had to do some “clean up” and edit a few things, like an above ground pool. Found a couple other opportunities while there. May have to venture back again soon.